Showing posts with label Sweden. Show all posts
Showing posts with label Sweden. Show all posts

Sunday, 8 April 2012

Krux -s/t 2002



What do you get when crossing two death metal musicians with a power metal vocalist and the bass player of 80's epic doom metal trailblazers Candlemass??

Easy, you get a kick ass, mid tempo, drugged out but not pedestrian, time traveller of an album like any other in my collection.

Powerhouse bass player Leif Edling takes Krux well above and beyond the "side project" stigma attached by some kneejerkists to this band. Guess that any disciple of old school doom metal would rejoice when seeing one of the movement's legends standing on his own two feet with cuts of galactic proportions like Black Room, Krux or the immeasurably vast epicness of Omfalos.

Let's indeed acknowledge the contribution of Mats Levén, a trooper in his own right, veteran of collaborations with guitar virtuoso Yngwie J. Malmsteen and flowery power metal act At Vance, but perhaps more relevant to get this gig, were his past experiences with Candlemass and Abstrakt Algebra, where a past collaboration with Leif was forged.

The other two musicians are Jörgen Sandström on guitar and Peter Stjärnvind on drums. Both from Swedish death metal outfit Entombed, although Jorgen plays bass in Entombed, not guitar. Just another giveaway, if more were needed, that Krux is fronted by a bass player.

Personally I find the fifty minute duration of Krux's first effort an extremely pleasurable experience. From the hashish induced Lunochod, to the spatial landscapes of Nimis, or the more eerie and atmospheric moments evoked throughout the nine compositions in their début, Leif Edling and his cosmic wanderers never let down or fail to elevate you to a higher realm populated by ghostly bass lines, haunting vocals with a 70's hard rock charm and bestial guitar work.

Be forewarned, although Krux's capable of sending you on a time travel of astronomical dimensions, do not expect any nods to modern "doom" or incursions into "stoner" metal territory, what we have here is pure mid tempo galactic doom, loaded with enough dope fiend ammunition to slay any non believer who timidly dares to raise their fists clutching debris like My Dying Bride et al.

If you happen to like it and can't get enough of it, do not despair, Krux have, at least, another two studio albums and a live one, try looking for them here .

Sunday, 1 April 2012

Masters of the Cover Art



Swedish painter Thomas Holm, born in 1957, is the man responsible for the "Melissa", "Don't Break the Oath", King Diamond's "Abigail" and others like swedish defenders of the faith Wolf's "Black Wings", to name just a few.

Mr Holm seems to enjoy a low profile, as it was extremely difficult to find any info on his work, this was the best I can come up with, but here's some more of his latest work with Wolf's Legions of Bastards.



Without a shadow of a doubt, "Don't Break the Oath", is one of the most attention grabbing covers ever, especially in vinyl (the first time I saw it, was in vinyl), which really works due to the size of the cover and outstanding colours. Again, I'm no art critic, but I'm allowed my personal taste.

Wednesday, 21 March 2012

Gotham City - The Unknown (1984)


After escaping from the RIAA dungeons, here I am again, this time with the long awaited début (three years, to be precise) of the first Scandinavian band on The Hounds Of Doom. The dubious credit goes all to Gotham City and The Unknown from 1984 (Fingerprint Records), another great vintage year, as far as metal is concerned.




Although, if this album was released in the 21st century, I'd assume it to be a tribute to Donald Rumsfeld, a creature now much more forgotten than Gotham City could ever be, even if all their legions of loyal fans were wiped out of the map by one of Donald's ICBM's...Let's hope not, though!

Now that I've run out of bad jokes, if you want to read a proper review of this swedish gem, I advise a quick jump to metal archives.